Tuesday, December 22, 2020

The Turning

           

                                                                                                                      

The season has turned, not without a groan, and it is now officially Winter. I had a sound if dreamless sleep last night, a small good thing. I thought it was important to succumb fully to the darkness of the longest night of the year and, Morpheus be blessed, I did just that. Having consciously prepared this year for the turning of the season and the light, I feel fortified to face what the next three months may bring—the gifts and the challenges alike.  I sense that in this year's visit to the seasonal underworld I will find new wells of creativity but also confront ever-darkening shadows as the virus brings on its most pervasive and lethal surge yet. Even with the vaccination effort underway, it is going to be a winter of largely unmitigated death and destruction. Moreover, we are faced with twenty-nine more days of Trump’s final, wild spin into madness and fascist desperation until Biden is sworn in as President on January 20. Between the plague and politics (really, the same thing anymore), this winter will test us to an unprecedented degree. In the meantime, I continue to hold the tension of opposites in my family with regard to my mother’s need for care and my siblings' and my wildly divergent strategies for avoiding--or not as the case may be--the plague. I am resigned to the fact that this “holding the tension” will continue to be my primary task in the wintry underworld to which we have all just descended. I can only hope that Demeter above will howl for our salvation and start early and determinedly her efforts to return us in Spring to a world where the virus has been suppressed effectively and where we can experience rebirth--our own and the planet's. Well, one can certainly hope for such a brave new world.  

As I look out the windows on three sides of my studio, the weather is a study in opposites. It’s cold and blustery, and the clouds have just shifted in parts of the sky to reveal a vivid blue dome where an hour ago it was a low, vaulted, steel ceiling. Meanwhile, although the darker, denser cloud masses are racing rapidly across the firmament and seemingly off stage, they still dominate the skyline in one direction. Given this celestial duality, the lighting is extraordinary: on the sunlit side of my view, the shadows of the tree limbs dancing in the wind cast stark and eerily shifting shadows on the neighboring houses and the grass. From another view, the bare trees standing under still-leaden skies remain cloaked in their heavy grey cloud-mantles. Through this meteorological prism, I can see that today, this first day of winter, the Cailleach has begun her wintry peregrinations. 

To end, a poem from that sensual mystic, D.H. Lawrence:

Fatality

No one, not even God, can put back a leaf on to a tree once it has fallen off.

And no one, not God or Christ nor any other

can put back a human life into connection with the cosmos

once the connection has been broken

and the person has become finally self-centered.

 

Death alone, through the long processes of disintegration

can melt the detached life through the dark Hades at the root of the tree

into the circulating sap, once more, of the tree of life.

 

 

 

Monday, December 21, 2020

Money for Winter


 

 

Youth is the time of getting, middle age of improving, and old age of spending.

--Anne Bradstreet

 

You can’t approach old age without thinking about money. At 62 years old, I fall squarely within that grey area between middle and old age that we encounter in our late fifties and sixties. In these years, it is quite natural that we should have a new attitude toward money, given that we are nearing or have reached the end of our working lives. Like most Americans, financial security at the threshold of old age means having the resources to see me through my remaining years, paying for my care when I can no longer manage on my own and, barring some unforeseen crisis, leaving my children a modest inheritance. Nevertheless, despite my relative financial security, I find it difficult if not impossible to lean into that notion, take pride in the fact that I earned every penny on my own, or even acknowledge all that I commendably sacrificed along the way. Rather, I feel burdened with a familiar sense of uneasiness and unworthiness, feelings that have colored my relationship with money from an early age. In this frame of mind, I decided to coax forward an image that has long haunted my daydreams. I knew that this archetypal figure, who I had dubbed the Winter Hag, had something to say about my relationship with money, but for decades I had done my best to suppress her. I wondered if now, in my autumn years, I might bring her forth and ask her whether she intends to hound me into old age or whether we might instead forge a more amicable relationship.

Having recently retired it is not surprising that my relation to money has shifted from the chronic worry that afflicted me for decades, as I struggled to maintain a certain standard of living, fund my children’s educations, and save and invest for retirement. My present fear is that, for all my sound financial stewardship and reasonable projections, and despite evidence to the contrary, I may not have enough money to see me through the winter of my life, my old age, until my death. In tandem with this fear is an enormous sense of shame that I did not do enough, or did not do things well enough, to merit a comfortable retirement. These two hobgoblins—fear and shame—are the Winter Hag’s most determinedly loyal handmaidens. Indeed, at this very moment I can see these two Furies out of the corner of my eye, scrambling to get my attention and leading me to fret about potentially dark days ahead and all the ways I am woefully unprepared to meet them. No longer willing to deflect or cower from fear and shame’s vehement imprecations, I determined instead to consult directly with the Winter Hag, the high priestess of the realm in my psyche where money matters reside.

Much has been written about financial insecurity as a universal human fear in modern societies. Indeed, research into the psychology of money reveals that anxiety about money is in no way a direct function of the amount of money a person possesses. Multi-millionaires experience the same feelings of fear and anxiety around losing their money as those who have little. As for shame, it is important to acknowledge that money is not just what it appears to be, that is to say, an abstract medium for the exchange of goods and services. In human civilization, it has also acted as a symbol of self-worth, status, and power. Much of the shame we feel around money arises from the enormous emphasis society places on it, the ever-increasing autonomous power given over to it, and the unashamed worship of it in our culture. We feel shame over having it, not having it, wanting it, talking about it, not talking about it, how we got it, or how we lost it, to name just a few. Because it carries such complex and often oppositional energies, money is an archetypal psychic reality that is especially complicated. This complex psychic reality, according to James Hillman, a Jungian analyst who paid particular attention to the archetypal components of money as part of our personal and collective unconscious, presents problems that are “inevitable, necessary, irreducible, always present, and potentially if not actually overwhelming. Money is devilishly divine.”[1] Hillman was especially interested in the relation of money and soul, and posited that in order to understand money on a soul level, one needs to connect with some very deep, old, and imperceptible attitudes about money that our entire culture has internalized and hidden in the collective unconscious. There is no doubt in my mind that the Winter Hag personifies a negative aspect of those ancient attitudes.

As an archetype, the Winter Hag lives deep in my unconscious and, I venture to guess, in the unconscious of many women who live in cultures where the family and social fabric no longer operate to provide a safety net for their elders. I first conceived the image of the Winter Hag when I was in my early twenties, immediately after I graduated from college and relocated to the city where a new job had taken me. For the first time in my life I was completely on my own with no financial resources other than the meager paycheck from my job as a legal secretary. During my first year in this new life of unprecedented financial insecurity, in the pit of a dreary winter, a fully-etched figure came unbidden to me in one of my habitual daydreams. There she was, an impoverished, old witch, wearing filthy black rags, shuffling down a frozen city street, and poking through garbage bins for food to bring back to her dark, unheated hovel to share with a roommate, an old tomcat that previously roamed the fetid alley outside her door. Even then, I understood that this specter emerged from my deepest fears that I would fail at the adulthood challenge before me that demanded I make something of myself and achieve financial independence. And if I failed, I would end up this destitute old woman. Terrified, I shoved her down into the dark recesses of my unconscious, hoping that would be last of her, although of course it wasn’t.

C.G. Jung regarded witches, hags, and their ilk as female versions of the scapegoat onto which women transfer the darker side of their impulses and imaginings. In Irish and Scottish folklore, the cailleach is a hag goddess concerned with creation, harvest, and the weather. She is a seasonal goddess seen as ruling the winter months and controlling the cold and the winds. Perhaps drawing from the same well in the collective unconscious, the Greeks represented the season of winter as a lean, bare-headed woman standing beside leafless trees. These images evoke feelings of austerity, harshness, and deprivation. The hag archetype abides in her hiddenness, ready to emerge and overtake us when we feel overburdened or when our personal safety feels threatened. For example, in the case of my Winter Hag and her minions, they have shown themselves capable of breaking through to consciousness in times of financial strain, shrieking that my aspirations towards security are delusive and, quite frankly, terrifying me. According to Jung, however, the archetypes do not just carry out a negative function. Rather, Jung believed that each archetype in our psyche is “rich in secret life and seeks to add itself to our own individual life in order to make it whole.”[2] I wondered what gifts the Winter Hag might come bearing if, for once, I welcomed her into my warm home.

In considering what higher purpose my Winter Hag might serve, I turned to the etymology of the word “money” to determine whether there might be an alternative to the hag’s doom-saying and fearmongering. That is to say, might the Winter Hag be the shadow representation of her opposite, an entity that emanates a more benign attitude toward money? I am speaking here of the Roman goddess Juno Moneta. The Latin word moneta, for mint or money, derives from the name of this goddess in whose temple in Rome money was coined. Moneta presided over the minting process and also served as protectress of those coins. An ancient, religious symbol of exchange, money was reflective of the inner feminine attributes of relatedness and protection, both of which Moneta embodied. But just as Moneta and her temple were eventually abandoned and forgotten, the feminine attributes underlying money were also forgotten or suppressed. Consequently, the feminine feeling values that formerly attached to money came to be overpowered by the masculine perception of it as a means to acquire possessions, security or, even more disturbingly, power. Out of this shift came the punitive state of affairs that we now know and experience to our individual and collective detriment as savage capitalism. It was this devaluing of the feminine principle inherent in money that resulted in the banishment of Moneta—with her positive aspects of protection and stewardship—and supplanted her with the hag, that frightening creature from the dark underworld of the psyche. What a profound loss the banishment of Moneta was, with her emphasis on fair exchange, reverence for coins as a means of that exchange, and protection of the coins minted in her temple! In her absence, we are left with the hag and her dire auguries of destitution and hardship.  

My efforts to call forth the Winter Hag have been fruitful. In facing her directly for the first time in decades, it occurred to me—and quite spontaneously at that—that she had a name, Maude. Having no context for this name, I looked up its origins and discovered that it is an Old German feminine given name meaning “powerful battler.” This was interesting new information, but I never once doubted her formidableness as an inner opponent. As a result of my gentle beckoning, however, Maude has come forward and shown herself in a less fearsome guise than I imagined. While her protests against my sense of financial security haven’t necessarily abated, they seem to lack some of their former urgency. Oh, she is still there, deploying her minions to whisper in my ear of the remote threat of financial ruin, but she and they are less relentless about it. Perhaps this is because Maude has agreed to make space in our relationship in order to bring Moneta out of her longstanding hiddenness and thus give Maude a break from her decades of singularly pessimistic watchfulness. For her part, Maude has admitted to me that, without Moneta to join with her in guiding and advising me in my financial dealings for so many years, she had no choice but to take up the work of them both. As she explained it, she only knew how to frighten me into earning, saving, and investing; that was the only tool in her bag. With Moneta now retrieved from her exile and sharing space in my consciousness with Maude, there can finally be a heiros gamos, a union of these two archetypes, leaving them free to share in the work of serving as my spiritual financial advisors, if you will. As I look ahead toward my winter years, I derive enormous comfort from the image of Maude and Moneta, arm-in-arm and accompanying me. For what it’s worth, in my mind’s eye Maude—still impoverished and prophesizing financial ruin—is wearing a new red coat.

 



[1] Hillman, James. “A Contribution to Soul and Money,” p. 4. From Lockhart et al., Soul and Money. Dallas, TX: Spring Publications, Inc., 1982.

 

[2] Jung, C.G., Memories, Dreams, Reflections, p. 302. New York: Vintage Books Edition, 1965.

.

 

Thursday, October 1, 2020

Destruction and Gratitude in Dark Times


Guanyin - Wikipedia

I recently read a book by the psychoanalyst and writer Michael Eigen, titled Kabbalah and Psychoanalysis, wherein Eigen writes about the Buddhist goddess Kuan Yin. Because a piece I wrote here a few years ago also evoked Kuan Yin http://shroominsharon.blogspot.com/2015/01/stepping-on-head-of-dragon.html, I was delighted to revisit this goddess. Eigen posits Kuan Yin as a counterbalance to the inclination—the force if you will—to destruction that psychoanalysis perceives as innate to the human condition:

 Kuan Yin is variously depicted as a Buddha or aspect of Buddha, a goddess, or a psychic or spiritual force. Kuan Yin cannot do anything but be compassionate. People pray to her for favors and when favors are granted, all she wants as a reward is for people to say, thank you.

 (44) This is a beautiful depiction of the Kuan Yin principle, which Eisen predicates on “an endless meeting of destruction and compassion.” Life is ceaseless destruction and without compassion for what we lose over and over again in the course of a lifetime, life would be unbearable. Living as we now are in the midst of a global pandemic, life as ceaseless destruction is an especially apt description of nature at work and the need to understand, to have compassion for, this overburdened, unappreciated planet that we call home even as she is wreaking mortal havoc upon us. Mother Earth has been so misused and unloved, for so long, that she has unleashed her fury in a cataclysmic way—to what end remains to be seen yet.  

In the absence of a belief in the Judeo-Christian God, what do I have faith in, what elicits compassion in me? This is a big question to ask, never mind answer, but try to answer I will. For one, I have a deep faith in the value of human suffering and the meaning to be found there. In this regard, I have faith too in my innate ability to show compassion for my own suffering and that of others. Indeed I have worked hard in my life to nourish this attribute, which has deepened as I’ve aged. Compassion is the means by which I do much of my share of tikkun olam, evinced of late in the hospice care I provided to my dear friend Zelda and then my father, respectively, but also in the degree to which family and friends, all with great personal burdens, seek my counsel, support, and maternal solicitude

Circling back to Kuan Yin, an outgrowth of the compassion I feel in the face of destruction and suffering is my profound sense of gratitude for all that I do have. Since the start of the pandemic, I have added to my daily routine an early morning recitation of five things in my life for which I am thankful. In the absence of a belief in God, I direct my gratitude to the likes of Kuan Yin and her Hebraic, mystical sister, the Shekhinah, God's exiled consort. Compassion and gratitude may seem like incidental, even gratuitous things to counter the enormity of our present situation, but I believe they run deeper than destruction and are available to us to mitigate the latter's ravages, necessary though that dismantling is. So yes, even in the midst of a global pandemic and its path of relentless destruction, not to mention living through what appears to be the collapse of the American Empire, I am reminded of the basic things for which I remain grateful, such as loving friends and family, a comfortable home, relative financial security, good health, and good food, to name a few. Not even the destruction raging all around me right now can dampen my gratitude for these gifts, for which I say: Thank you, Kuan Yin.


 

Saturday, January 16, 2016

Nemesis and her Wheel of Destiny

When I was in Israel last spring, I revisited the Israel Museum.  Among the many gorgeous and memorable exhibits I saw, I was struck by and spent much time examining one particular sculpture:  Griffin with the Wheel of Fortune.  

I did not know much about the back story to this sculpture until yesterday, as I was reading "The Marriage of Cadmus and Harmony," by Roberto Calasso.  In this book, Calasso retells in a panoramic format the entire history of the Greek myths.  According to Calasso, the wheel of destiny belonged to the goddess Nemesis, who was reportedly so beautiful that people could mistake her for Aphrodite.  She undoubtedly passed on this great beauty to her daughter, Helen (she whose face would one day launch a thousand ships).  He further describes her as the "goddess of the offense that boomerangs back on its perpetrator."  In more common parlance, Nemesis is usually portrayed as the agent of divine punishment for wrongdoing or presumption (hubris).  The wheel of destiny stood beside Nemesis and could also become the wheel of her griffin-drawn chariot.  Nemesis also held the urn of destiny.

As we enter into the coldest and darkest part of winter, I struggle between a desire to plunge down into darkness and isolation, and a resistance to doing so.  When I succumb to the descent, it is a time of deep introspection, manifested in long, quiet yoga sessions and extended poetry reading.  That is Janus' benign winter face.  Janus' negative face, however, is the self-scrutiny that I undertake this time of the year and which, taking place as it does in Nemesis' shadow, can have an excoriating aspect.  In this aspect, I look at my struggles and hardships not merely as necessary and inevitable parts of a deeply complex life, but rather as Nemesis' divine punishment for wrongs I committed in the past. Some recent, but some decades or more old now.  Spring seems a long way off yet.  

Wednesday, June 24, 2015

Time, the Ultimate Luxury


The writer, historian, and activist Rebecca Solnit’s writing, which I discovered only recently, has captivated me.  But what informs her superb writing are her powers of observation and her contemplative mind.  In the past few months, I have read countless essays, reviews, and articles by her, as well as her book of non-fiction Men Explain Things to Me.  In addition, I recently started listening to the Audible version of Wanderlust:  A History of Walking, wherein Solnit reminds us that walking is an intellectual, spiritual, and revolutionary pursuit, as well as a creative and empowering act.  No surprise then that I am saving (and savoring) my reading/listening of this work for my daily, long walks.  Solnit is an intellectual nomad, however, whose interests roam far and wide.  So when I came across her Orion piece titled Finding Time, I was delighted to find that it dovetailed nicely with my ongoing obsession.  An excerpt from her article first:

The Four Horsemen of my Apocalypse are called Efficiency, Convenience, Profitability, and Security, and in their names, crimes against poetry, pleasure, sociability, and the very largeness of the world are daily, hourly, constantly carried out. These marauding horsemen are deployed by technophiles, advertisers, and profiteers to assault the nameless pleasures and meanings that knit together our lives and expand our horizons…


I believe that slowness is an act of resistance, not because slowness is a good in itself but because of all that it makes room for the things that don’t get measured and can’t be bought.


For my part, I have come to the not-so-profound conclusion that what I consider a luxury is not any pricey item, event, or trip but rather, time.  As the writer and spiritual teacher Pico Iyer recently said in an On Being interview, “[l]uxury has to do with having a lot of time.  The ultimate luxury might now be just a blank space in the calendar.”  I couldn’t agree more.  So, in the midst of my busy days, I eschew fast food for the luxury of slow cooked steel cut oatmeal several mornings a week; spend extended periods of time in my kitchen, listening to my favorite podcasts or the excellent Radio Paradise as I cook dinner from scratch; and try, at least once a day, to pick up an intricate crochet thread project.  It’s not much, but carving out even a couple of hours in this manner, in an otherwise hectic life, does indeed feel luxurious.